Hello readers!
August 2022 at Roof Beam Reader was devoted to all things Jane Austen. I was, however, doing a lot of reading that was not Austen or Austen-related, so I thought I’d share a quick recap of that reading here, with teeny tiny thoughts on the selections.
Reclaiming Two-Spirits: Sexuality, Spiritual Renewal & Sovereignty in Native America by Gregory D. Smithers: I gave this one four-stars on Goodreads. It was an absolutely fascinating and expectedly heartbreaking read about the stamping out of LGBGQ+ (two-spirit) identities in Native North American tribes. Colonization by Europeans did unspeakable damage to native tribes, as we all know, but one thing less discussed or known is how a once revered people, the two-spirits, who were thought to embody male and female identities in a single form and were thus often revered by indigenous peoples, were destroyed by western European prejudices and violence.
The Collected & Corrected Poems of Wallace Stevens: I gave this one five-stars on Goodreads because I felt like I had to. No, really. I enjoyed the poems, but not as much as I think I should have. Or, maybe appreciated is the better word, there. The thing is, I think Stevens is far too clever for me, and so what I really need to do is re-read these poems, much more closely and much more slowly. I did find some intense inspiration in some of these (and of course he’s written some of my favorites, like “The Emperor of Ice Cream,” which I remember from college.) I even drafted a poem directly inspired by one of these.
The Darkness Outside Us by Eliot Schrefer: This is another perfect score on Goodreads. It’s a young adult sci-fi novel (queer-focused) that was so much more than I expected it to be. In my review, I wrote, “wow, this was good. What if Vonnegut wrote Romeo & Juliet but made it a gay futuristic dystopia?” I’ve also heard comparisons to Invasion of the Body Snatchers meets Red, White, and Royal Blue. Or maybe I made that one up, too. It’s a good one, so okay, I’ll take credit for that comparison, too. Honestly, though, I don’t know how or why I nearly slept on this one. I really enjoyed it.
Compassionate Recovery: Mindful Healing for Trauma and Addictions by Darren Litteljohn: Two stars on Goodreads. Absolutely fascinated by the idea of this and will definitely pursue more, perhaps through some of the programs mentioned in this book, but overall, I couldn’t get much out of this one. The style is too frantic, topics covered so quickly and briefly, and lots of summative references to things learned or accomplished that just didn’t seem to have been learned or accomplished. Also, this edition desperately needed a proofreader and editor. It felt like the book was pushed out in a rush.
The Vegetarian by Kang Han: I understand the hype surrounding this one. It’s definitely an intriguing premise, the prose reads somewhat like a more neurotic Hemingway (if that’s even possible–and could be due partly to translating), and the themes are powerful and disturbing. Still wasn’t really the story for me, though, nor a style I much enjoyed. I’m normally okay with, even a fan of, multiple narrative perspectives, but it wasn’t my favorite approach in this particular story. Three stars on Goodreads. If you loved this one, I get it and I’m not mad about it.
Madness by sam sax: I think what I enjoyed or appreciated most about this poetry collection is that its major themes are interesting individually but work effectively and cohesively as a group. As its description states, “Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health.” Any queer person in the United States will tell you that mental and physical health are ever-present concerns. The questions sax asks here are thoughtful and the delivery of these explorations is powerful. The overall style of the poems did not appeal to me, but the collection is tight and the ideas, the talent, unmistakable. Three stars on Goodreads. (This was book 9 for my 2022 TBR Pile Challenge.)
Consider the Lobster by David Foster Wallace: Much like my recent reading of Richard Siken, after reading this essay collection, I immediately went out and purchased another Wallace book. (To be honest, I almost bought all of them.) Wallace is such a smart, insightful, and thoughtful writer/thinker. He was obviously wildly intelligent, to the point of brilliance, and while I think that kind of intelligence could sometimes come across as elitism, Wallace is also notably cautious. The ego just doesn’t get in the way, which is a rare thing from a writer and thinker of this caliber. I absolutely loved his forays into politics, lobster festivals, and cultural catastrophes. His observations are bright, deeply ruminative, and often delightfully surprising. I found myself thinking along with him, which is the most fun I’ve had with any book recently. Five stars on Goodreads.
Zachary Ying and the Dragon Emperor by Xiran Jay Zhao: Listen, this book is wild. Definitely reads like a fever dream in some parts, as the author seems more than willing to admit, but it’s pretty awesome overall. Percy Jackson meets Mulan with some Pixar’s Coco mixed in. Like for real, what? Yeah. But I swear to god, what’s going on with proofreading and editors lately? Do these big publishers need someone? Like pay me. I’m here. Spotted at least 3 glaring bloopers in this one. Anyhow, five stars on Goodreads! I can’t wait to read her book Iron Widow. I’ve had my eye on it for months.
Nature Poem by Tommy Pico: My review of this little poetry collection (or long poem, I should say), was going to be mostly muted. I’ve read Pico before and his style is just not something that works for me. I respect his talent. He’s a slam poet and a smart one at that, but I think I’m at a stage in my life where that kind of poetry doesn’t do it for me anymore. It does work for a lot of people and it’s not difficult to understand why. Interestingly, just a few days after reading this long poem, I was reading an essay by Elaine Castillo (in How to Read Now) where she lauds Pico and this book for all the right reasons. I completely agree with her brilliant assessment of Pico’s powerful and important work, and her reading helped me understand its genius even more, but the style still isn’t for me. Three stars on Goodreads. (This was book 10 for my 2022 TBR Pile Challenge.)
How to Pronounce Knife by Souvankham Thammavongsa: This is a good collection of short stories by Laotian-Canadian author Thammavongsa. Many of the stories deal with issues relevant to refugees and immigrants, especially cultural and family-specific experiences with food, language, and relationships. I think where the collection is strongest is where the stories carry through those themes and threads throughout, though I didn’t find the writing or the stories particularly surprising or groundbreaking. Three out of five stars on Goodreads.
War of the Foxes by Richard Siken: As you might recall from my review of Siken’s Crush, I loved that collection so much that I immediately ran out and purchased this one. While I enjoyed this one, too, and found some similarity in the power of thought and language, and the tightness in terms of thematic elements in the collection, I definitely have a preference for Crush. This collection has at its foundation a focus on art, art making, artistic expression, and the viewing and reception of art. All of this is complicated by ideas of the self and other, of representation, of doubling. It’s a fascinating journey and much like my appreciation for David Foster Wallace’s mind, I’m ever intrigued by the way Siken views the world. Three (and a half) out of five stars on Goodreads.
My favorite this month:
Hello, Janeites!
Here we are on the final day of Austen in August! I hope some of you have had the pleasure of reading works by, about, or inspired by Jane Austen this month and that you’ve enjoyed the various guest posts, throwbacks, and giveaways here at Roof Beam Reader. Today, we wrap-up our event with a final giveaway.
These gorgeous, handmade watercolor bookmarks were customize designed for our event by artist Shannon Silver. You can find her work on Instagram and in her Etsy Shop (Art By Shannon Silver).
Here are the descriptions, from Shannon:
The first image is a streetlight with directional signs that have the names of different Jane Austen novels’ settings. The bottom is Pemberley. The top right is a whimsical stack of books with decorations and topped with a favorite Austen quote: “If a book is well written, I always find it too short.”
All you have to do to be considered is:
Remember, as you’re reading through Austen in August and sharing any Austen-related content, please post links to your blogs or social media posts about the event in the comments on our master post. Use the #AustenInAugustRBR hashtag to share on social media.
Note: This giveaway is open until 11:59 PM pacific time on Wednesday, September 7th. One winner will be selected at random. Winner will be contacted for shipping information and will have 48-hours to respond before a new winner is chosen. Giveaway host will ship item to the winner. Neither the giveaway host nor Roof Beam Reader is responsible for any items lost or damaged in the mail.
Hail, Janeites!
Congratulations to the winners of our Austen In August giveaways thus far (Laurie, who won the Jane Austen Lego & Joel, who won the Northanger Abbey Soapworks gift card!)
Today, I’m offering another giveaway, this time for a Jane Austen puzzle and a delicious Austen candle. Doesn’t that sound like an atmospheric evening!?
All you have to do to be considered is:
Remember, as you’re reading through Austen in August and sharing any Austen-related content, please post links to your blogs or social media posts about the event in the comments on our master post. Use the #AustenInAugustRBR hashtag to share on social media.
Note: This giveaway is open until 11:59 PM pacific time on Monday, September 5th. One winner will be selected at random. Winner will be contacted for shipping information and will have 48-hours to respond before a new winner is chosen. Giveaway host will ship item to the winner. Roof Beam Reader (me!) is not responsible for any items lost or damaged in the mail.
As part of this tenth anniversary year, I’ll be sharing some favorite posts from previous Austen in August events. I hope you enjoy discovering or re-discovering these Austen explorations!
Caro is a 20-something Lit student with a tendency to ignore the world in favor of books and coffee, prone to having far too many projects going on at once, and destined to become a drunken cat lady. She writes TV recaps at NoWhiteNoise.
We live, for the most part, in a largely patriarchal society – so it’s not surprising to find that many storytelling tropes ooze sexism. A conversation I had with an extremely intelligent, articulate and socially aware friend re: this sort of trope and its subversions got me thinking – what sexist tropes did Jane Austen deconstruct and subvert in her novels?
Entitled to Have You and Nice Guy™
The Entitled to Have You trope presents a man who, because of whatever reason, feels entitled to a woman. If she rejects him, the man in question will usually show remarkably selective hearing and interpret her “no” as a “maybe” and keep harassing her with invitations, convinced that his relentlessness will eventually pay off. And the worst part is that, in most cases, it does.
Austen presents this trope in Pride and Prejudice, through the one and only Mr. Collins. Elizabeth very clearly tells him that, while she’s flattered by his interest, she doesn’t feel the same way. Instead of taking it at face value, Mr. Collins assumes that she’s playing hard to get. Now, in many other works of fiction, his perseverance (see harassing) would have paid off and Elizabeth would have eventually ~seen the error of her ways and married him – but not in an Austen novel. No, Mr. Collins isn’t portrayed as sympathetic for his insistence, but rather as pathetic, annoying and incapable of taking a hint.
Another trope, often closely linked to Entitled to Have You, is the Nice Guy™. John Thorpe from Northanger Abbey is the perfect example of this. Thorpe believes that because he’s such a Nice Guy, he’s entitled to Catherine’s love. When she doesn’t reciprocate his feelings, he sulks forevermore and decides that her rejection stems from Catherine not Appreciating Him Like She Should, instead of realizing that hey, the lady has the right to want whoever she decides.
Bad Boy Woobie, or Jerkass Woobie
This is another particularly annoying trope, especially because it’s everywhere lately. Writing the Big Bads as, you know, bad, and still going out of their way to make them sympathetic is something that narrators everywhere do all the time; and after over two decades of being exposed to storytelling, I have no patience for it anymore.
Apparently, neither did Jane Austen. The Jerkass Woobie was not at all woobified. We’re not only not expected to excuse his faults because of his Daddy Issues, but we’re actually encouraged to hold him accountable for his actions, as we would any functional adult. An example of this is Pride and Prejudice’s George Wickham, whose lies, manipulations and tendency to prey on young girls are by no means excused by the trauma of losing his father as a child.
One Special Girl
This one’s tricky, because at first sight, it doesn’t seem sexist. What’s wrong about portraying a woman as a human being worthy of respect, after all? But scratch a little under the surface and you’ll realize that there are few things as insulting as a normally assholish man suddenly wanting to be ~good and ~different to a woman he perceives as The Paragon of Right Womanhood. This is problematic because it implies that certain women are ~deserving of being treated horribly, unlike the One Special Girl who makes the otherwise horrible guy want to respect her because She’s Not Like The Other Girls. That One Special Girl is usually also a Madonna, never a Whore.
Austen subverts this trope in Sense and Sensibility, through the relationship between Willoughby and Marianne and the fact that he’s not magically redeemed by her love. Being a serial player is part of who Willoughby is, and somebody’s personality is not about to change because The Right Person entered their life. It’s one thing when a person wants to change – but placing the responsibility of somebody’s change on an external party is not the way to go, partly because it’s too much responsibility and partly because it quite simply doesn’t work.
Thanks, Caro, for the excellent guest post on sexist tropes. A lot of food for thought! What do you all think? Have you noticed anything similar in Austen’s works? Can you give other examples, from other texts?
Today, we welcome Austen fan Karen from Boys’ Moms Reads, who is here today to talk about her experience with Emma. Read through to the end for a special giveaway from Karen!
Earlier this year, I was assigned to read and review a new retelling of the Jane Austen classic, Emma, scheduled for release in the coming Spring. Having never read Emma and having had only a lukewarm reaction to the adolescent-girl-required Pride and Prejudice, I didn’t know what to expect but still hoped for the best. That book, Kamila Knows Best, was a very pleasurable and vastly entertaining surprise! The story was chic and stylish, youthful, and so culturally NOW. It was so vividly told I was practically watching a movie unfold in my mind. But that’s not all. I now HAD to read the foundational novel. I had to read Emma. However, life and more book assignments got in the way, and I continued to put it off until Austen in August happened my way.
Austen in August, an annual month-long celebration of the author’s works, the brainchild of the three founders of The Classics Club, is in its tenth year. Participants sign up and declare their intention to read and comment on works by, about, or related to Jane Austen. This was just the nudge I needed, apparently.
As tickled as I was by Heron’s Kamila Knows Best, I was even more so by the Audible Studios audiobook edition of Emma, narrated by actress Jenny Agutter. I was delighted by the storyline, and Agutter’s performance made the characters come alive. I never expected to laugh as much as I did, although snicker is probably the more appropriate term in light of what was causing my mirth: some of the most brilliant and deadly dialogue couched in the politest of words and delivery. And, oh, how I got involved in these characters’ lives! So much so that I was already on the lookout for further “Emma” stories.
As with Pride and Prejudice, there is an abundance of Emma-inspired books, such as the 2022 Kamila Knows Best. In my own Kindle content library alone, I had four I had acquired over the years (for FREE.) Still, a quick look-see online showed there are many other titles available to satisfy the need for more Emma-like creations, as well as prepared lists recommending some over others to help narrow down or curate one’s choices.
Within the multitudes, I found that books seemed to fall into a couple of rough categories: modern retellings, sequels and side character POV novels, series where each book was related to a different one of Austen’s works, and more recently, Austen novels recreated in an Indian cultural setting. I want to share a couple of titles in each category that caught my eye.
Tea with Emma (The Teacup Novellas) by Diane Moody (2013)
Fresh from a Jane Austen tour in England, Maddie Cooper returns home to Texas, determined to bring a touch of “Austen to Austin.” She dreams of opening an authentic English tea room and, like Austen’s Emma, putting into practice her self-proclaimed gift as a matchmaker. But an airport mishap with a cranky Englishman gets her off on the wrong foot (quite literally), especially when he moves into the university guest house across the street.
Wasted Words: Inspired by Jane Austen’s Emma by Staci Hart (2016)
Most of her boyfriends have existed between the pages of books, but rather than worrying over her own lacking love life; she puts all her energy into playing Cupid, using her job at the book bar, Wasted Words, as her stomping ground.
Perfect Happiness: The sequel to Jane Austen’s Emma by Rachel Billington (2021)
Originally published in 2008 under the title “Emma and Knightley: Perfect Happiness in Highbury,” the story picks up one year after the conclusion of Austen’s Emma.
Jane Fairfax: The Secret Story of the Second Heroine in Jane Austen’s Emma by Joan Aiken (1997)
Jane Austen’s Emma has been a favorite novel for Austenites since 1816. But while the story of its heroine Emma Woodhouse is well known, the same can’t be said for her childhood friend, Jane Fairfax. Now, at last, we learn her whole story from Jane Fairfax’s own point of view.
Harriet: A Jane Austen Variation by Alice McVeigh (2022)
Harriet sidelines Emma herself in favor of the ingenious Harriet and the fascinating Jane Fairfax. It is Emma – but an Emma with a surprisingly believable twist in its tail.
The Austen Project series (2013-16)
The assignment: take four of the most well-known authors of our time and have them reimagine a Jane Austen classic in current times. The results are Joanna Trollope (Sense and Sensibility, 2013), Val McDermid (Northanger Abbey, 2016), Alexander McCall Smith (Emma: A Modern Retelling, 2015), and Curtis Sittenfeld (Eligible: A Modern Retelling of Pride and Prejudice, 2016). I took notice of this series because of the remarkable number of one and two-star reviews each book had on Goodreads. Although I don’t go looking for trainwrecks, I have to see these for myself.
Jane Austen Takes the South (2013-14)
In 2013, author Mary Jane Hathaway created this series of 3 books set in the south and featuring Civil War reenactors, church ladies, pink lemonade, southern belles, and based on Austen’s works: Pride and Prejudice, Emma, and Persuasion.
Jane Austen Heroes (2005-12)
This nine-book series from Amanda Grange launched in 2005 with Mr. Darcy’s Diary. All feature one of Jane Austen’s leading men.
Polite Society by Mahesh Rao (2019)
In this modern reimagining of Jane Austen’s Emma, Delhi’s polite society is often anything but polite.
The Rajes series by Sonali Dev (2019-22)
Currently, a four-book series consisting of Pride, Prejudice, and Other Flavors (2019), Recipe for Persuasion (2020), Incense and Sensibility (2021), and The Emma Project (2022), the stories follow the Rajes, an immigrant Indian family in San Francisco.
Kamila Knows Best by Farah Heron (2022)
Jane Austen’s Emma goes Bollywoood in this delightful retelling from the highly acclaimed author of Accidentally Engaged, perfect for Abby Jimenez and Jasmine Guillory fans.
One lucky winner will receive a Jane Austen lip balm! (This giveaway open to U.S. residents only)
All you have to do to be considered is:
Remember, as you’re reading through Austen in August and sharing any Austen-related content, please post links to your blogs or social media posts about the event in the comments on our master post. Use the #AustenInAugustRBR hashtag to share on social media.
Note: This giveaway is open until 11:59 PM pacific time on Tuesday, August 30th. One winner will be selected at random. Winner will be contacted for shipping information and will have 48-hours to respond before a new winner is chosen. Giveaway host will ship item to the winner. Neither the giveaway host nor Roof Beam Reader are responsible for any items lost or damaged in the mail.